Wednesday 22nd August Off The Road Poetry Performance Music Adelphi Club(1/4)

(1/4), (2/4), (3/4), (4/4).

Photograph Gallery   Barnes Gallery,   Cracktown Gallery,   James Dean Syndrome Gallery,   Jim Sorrow Gallery,   Joe Hakim Gallery,   Scarlet Lights Gallery,   Yol Gallery,   People Gallery.

Got in to this late due to being on the radio so first off apologies to all the acts I missed. I'm quite sure you were brilliant and zany in that order. To be honest I have it on good authority that performance poet Mike Watts who opened the show was indeed all that you can read more of his poems in the poetry section on this site. I also know having seen his zany act at Umber Gob Part 1, that Philip Wincolmlee Barnes is as mad as a bag of frogs and should probably be running for office.

I did arrive in time for Jim Sorrow. A punk and his banjo bringing us rackety numbers about the state of society, the working man and all that goes in between. I enjoyed the in between banter to begin with but unfortunately the high pitched dullard's voice he insisted on using began to grate after a while. He explored some of the dirtier aspects of life cracking knob jokes and making smutty innuendo that for the most made a lot of people laugh.

Some of his material went down like a lead balloon which Jim freely admitted to on stage, ticking off when he got a laugh and when there was none. But it did drag on after a while, nearly a full eight minutes between two of the songs was a little much. I did enjoy Tales Of A Production Line - a song describing the despair and banality of factory life. Catch Jim Sorrow back in Hull 10th October at Durty Nellys.

Next was Yol a very emotive performance poet and a guy playing double bass, together they call themselves 575. In the past Yol has employed a lectern from which to convey ungodly sermons but tonight he vents spleen and all bent double on the stage. Words, screams an unearthly noise, it was hard to capture intelligible lines amidst the deep roars and inhuman growls spewing from the punk poets mouth.

His half naked body contorted. Doubled up legs beneath me, then sprawled on the Adelphi floor, as if in severe discomfort he screams out again and again, the house smells. Repeated so much almost like an unholy mantra; what house, why does it smell. Whether it was the voracity of Yol's volcanic delivery or the deep reverberating bass strings I began to create pictures in my head. A corpse in mind, weeks old rotting flesh putrid and obscene, behind a locked door in a dilapidated house. An abandoned lover?

Continued...Next Page (2/4)

Photograph Gallery   Barnes Gallery,   Cracktown Gallery,   James Dean Syndrome Gallery,   Jim Sorrow Gallery,   Joe Hakim Gallery,   Scarlet Lights Gallery,   Yol Gallery,   People Gallery.

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